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Napster ... Its ease of use led to massive copyright violations of music and film media, as well as other intellectual property... History Although there were already networks that facilitated the distribution of files across the Internet, such as IRC, Hotline, and USENET, Napster specialized exclusively in music in the form of MP3 files and presented a user-friendly interface... The result was a robust system whose popularity generated an enormous selection of music to download – at its peak there were 25 million users and 80 million songs, and the system never once crashed...

20th-century Music ... Electronic music For centuries, instrumental music had either been created by singing, drawing a bow across or plucking taught gut or metal strings (string instruments), constricting vibrating air (woodwinds and brass) or hitting or stroking something (percussion)...

Transformational Theory ... The goal of transformational theory is to change the focus from musical objects—such as the "C major chord" or "G major chord" -- to relations between objects. Thus, instead of saying that a C major chord is followed by G major, a transformational theorist might say that the first chord has been "transformed" into the second by the "Dominant operation." (Symbolically, one might write "Dominant (C major) = G major.") While traditional musical set theory focuses on the makeup of musical objects, transformational theory focuses on the intervals or types of musical motion that can occur...

Pitch (music) ... Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system...

Suzuki Method ... The essential components of his method spring from the desire to create the "right environment" for learning music (he believed that this positive environment would also help to foster excellent character in every student)... These components include: Saturation in the musical community, including attendance at local concerts of classical music, exposure to and friendship with other music students, and listening to music performed by "artists" (professional classical musicians of high caliber) in the home every day (starting before birth if possible)... Suzuki firmly believed that teachers who test for musical aptitude before taking students, or teachers who look only for "talented" students, are limiting themselves to people who have already started their music education...

Four-part Harmony ... A special genre in this music is the "barbershop quartet" usually consisting of 4 men who sing tenor, countertenor, baritone, and bass parts... Four parts for instruments Some music is written, in four-part harmony, for small groups of only 4 instruments, such as a string quartet, a brass quartet, or a woodwind quartet (might include a French horn)... However, due to the range of musical instruments covering more pitches than a typical human voice, a quartet might play some harmonies with very high notes or very low notes, rather than the blended range of choral music...

Paleolithic Flutes ... They suggested music may have helped to maintain bonds between larger groups of humans, and that this may have helped the species to expand both in numbers and in geographical range...

Schenkerian Analysis ... This reflects Schenker's belief that the deep, long–range structure of a piece of music has no particular rhythm... This long–range structure is called the Fundamental Structure (Ursatz) in Schenkerian analysis, while the more surface aspects of the music are called the foreground or surface layer... Although it is a subject of debate among music theorists whether there is a single correct hearing and analysis of a piece of tonal music, even those who hold that there is a unique correct analysis agree that the analysis can only be arrived at and evaluated subjectively by an expert listener...

Timbre ... In simple terms, timbre is what makes a particular musical sound different from another, even when they have the same pitch and loudness. For instance, it is the difference between a guitar and a piano playing the same note at the same loudness...

Sheet Music ... (Note: the term score can also refer to incidental music written for a play, television programme or film; for the last of these, see film score.) Purpose and use Sheet music can be used as a record of, a guide to, or a means to perform, a piece of music... Although it does not take the place of the sound of a performed work, sheet music can be studied to create a performance and to elucidate aspects of the music that may not be obvious from mere listening... Many composers have been capable of producing music in printed form without the capacity themselves to read or write in musical notation, as long as an amanuensis of some sort is available...

Music Of China ... According to Mencius, a powerful ruler once asked him whether it was moral if he preferred popular music to the classics... The Imperial Music Bureau, first established in the Qin Dynasty (221–07 BC), was greatly expanded under the Emperor Han Wu Di (140–87 BC) and charged with supervising court music and military music and determining what folk music would be officially recognized... In subsequent dynasties, the development of Chinese music was strongly influenced by foreign music, especially Central Asia...

Rock And Roll ... The American Heritage Dictionary and the Merriam-Webster Dictionary both define rock and roll as synonymous with rock music... Encyclopædia Britannica, on the other hand, regards it as the music that originated in the mid-1950s and later developed "into the more encompassing international style known as rock music"...

Persian Traditional Music ... Iranian classical music continues to function as a spiritual tool as it has throughout its history, and much less of a recreational activity... The Radif of Iranian music * Masterpieces of the Oral and Intangible Heritage of Humanity Country Iran Reference 279 Region ** Asia and Australasia Inscription history Inscription 2009 * Name as inscribed by UNESCO ** Region as classified by UNESCO The Radif:...

Musical Analysis ... The principle of analysis has been variously criticized, especially by composers, such as Edgard Varèse's claim that, “to explain by means of is to decompose, to mutilate the spirit of a work” (quoted in Bernard 1981, 1). Analyses Some analysts, such as Donald Francis Tovey (whose Essays in Musical Analysis are among the most accessible musical analyses) have presented their analyses in prose...

Renaissance Music ... Demand for music as entertainment and as an activity for educated amateurs increased with the emergence of a bourgeois class... Relative political stability and prosperity in the Low Countries, along with a flourishing system of music education in the area's many churches and cathedrals, allowed the training of hundreds of singers and composers... Opera arose at this time in Florence as a deliberate attempt to resurrect the music of ancient Greece...

Blues ... World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners... Though the use of the phrase in African-American music may be older, it has been attested to since 1912, when Hart Wand's "Dallas Blues" became the first copyrighted blues composition... Form The blues form is a cyclic musical form in which repeating progression of chords mirrors the call and response scheme commonly found in African and African-American music...

MMCP – Manhattanville Music Curriculum Project ... Fostering the continued relevance of music to a student in school and contemporary society is a key purpose for MMCP in the areas of: Artistic Relevance – How can students recognize the aesthetic value of music? Personal Relevance – How can music satisfy the personal needs of students? Social Relevance – How can the changing nature of music in our society stay relevant to students as they grow older? MMCP believes presenting music as changing and evolving rather than “static” like western art music increases the interest in new creation... Rather, learning and acquisition of musical information are the byproduct of the “doing” in performing and creating the music... Attitudinal – Students excited about their own creative musical potential and their aesthetic sensitivity to music...

Musical Notation ... Byzantine music uses the eight natural, non-tempered scales called Ēkhoi, "sounds", exclusively, and therefore the absolute pitch of each note may slightly vary each time, depending on the particular Ēkhos used... Early Europe Scholar and music theorist Isidore of Seville, writing in the early 7th century, remarked in this Etymologiae that it was impossible to notate music... The problem with this notation was that it only showed melodic contours and consequently the music could not be read by someone who did not know the music already...

Texture (music) ... Common types In musical terms, particularly in the fields of music history and music analysis, some common terms for different types of texture are: Type Description Visual Audio Monophonic Monophonic texture includes a single melodic line with no accompaniment... Characteristic texture of the Classical period and continued to predominate in Romantic music while in the 20th century, "popular music is nearly all homophonic," and, "much of jazz is also" though, "the simultaneous improvisations of some jazz musicians creates a true polyphony" (Benward & Saker 2003, 136)... Additive A texture most commonly found in rock music that starts off mono or homophonic, and gradually changes and builds up to polyphonic...

Rhythm ... Anthropology In his series How Music Works, Howard Goodall presents theories that human rhythm recalls the regularity with which we walk and the heartbeat we heard in the womb... London writes that musical metre "involves our initial perception as well as subsequent anticipation of a series of beats that we abstract from the rhythm surface of the music as it unfolds in time" (London 2004, 4)...